The amphitheatre at Pompeii (Photo © Mary Ann Sullivan, see below) was the first Roman stone amphitheatre, built around 80 BC according to the OCD, probably soon after Sulla imposed a colonia on the ancient city. It was called spectacula by its builders. It seated around 20,000 people. It was closed by the Senate in AD 59 after a riot.
Tacitus, in Annals 14.17 reports:
[14.17] About the same time a trifling
beginning led to frightful bloodshed between the inhabitants of Nuceria
and Pompeii, at a gladiatorial show exhibited by Livineius Regulus, who
had been, as I have related, expelled from the Senate. With the unruly
spirit of townsfolk, they began with abusive language of each other; then
they took up stones and at last weapons, the advantage resting with the
populace of Pompeii, where the show was being exhibited.
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Quintus Honorius Romanus aka Taurus, our hero in James Duffy's Sand of the Arena, mostly fights as a Thracian. This fighter is described in Duffy's introduction to his book (Download duffy_intro.pdf), as
A lightly armored fighter
carrying a small square shield (parmula) and curved sword
(sica). His helmet crest often bore the image of a griffin
fixed to the front.
Roman Gladiatorial Games from CUNY shows an image on this page, the third one down on the right. If you click on it, you can clearly see the crested helmet. This image is also on the informative Culture I page at the same website.
Continue reading "gladiators: the thracian (thraex)" »
Cruelty and Civilization: The Roman Games By Roland Auguet
Blurb: "Cruelty and Civilization" offers an in-depth look at the Roman games
as a force vital to the functioning of an Empire. Gladiatorial combats,
chariot races and other spectacles were a kind of public opiate for the
citizens of Ancient Rome. These rites gave rhythm and excitement to
daily life in the Empire. From one year to the next, the Roman citizen
lived in anticipation of the next games; through them he was able to
forget the mediocrity of his own condition as well as his political
enslavement. The most minutely organized productions were staged at
vast expense, and Rome developed cults for arena champions, who were
simultaneously idols and outcasts, doomed to a bloody death. Roland
Auguet not only reconstructs in detail the conduct of these spectacles
(gladiatorial combats, the sacrifice of prisoners to wild beasts, the
chariot races, the combats between man and beast or beast and beast),
but also analyzes the feelings of the crowd and the calculations of its
rulers. He explainswhy the games dominated the life of the city.
Examining the games in the context of a broader study of Roman customs,
this book provides a synthesized view of how Roman civilization was to
a large degree based on the games.
A review
Continue reading "google books on gladiators & the roman amphitheatre" »
An interesting read, both as Google Book and in print: The Sorrows of the Ancient Romans: The Gladiator and the Monster.
“This inquiry into the collective psychology of the ancient Romans
speaks not about military conquest, sober law, and practical politics,
but about extremes of despair, desire, and envy. Carlin Barton makes us
uncomfortably familiar with a society struggling at or beyond the
limits of human endurance. To probe the tensions of the Roman world in
the period from the first century b.c.e. through the first two
centuries c.e., Barton picks two images: the gladiator and the
‘monster’. ”
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In his Sand of the Arena, James Duffy commits two anachronisms, backwards and forwards, when, in AD 67, he has the now combined Pompeian and Glevian gladiator troupe fight the Roman Imperial School in the Amphitheatrum Statilii Tauri, and has them reside in the barracks of the Ludus Magnus.
The amphitheatre of Taurus was destroyed in the Great Fire of 64, and the Ludus Magnus was built adjacent to the Amphitheatrum Flavium, the Colosseum, by the the Flavian emperors.
The question arises: Was the amphitheatre of Taurus replaced before the Colosseum was built, and did Nero built one before or after the fire? The information is somewhat conflicting.
Continue reading "the amphitheatre in rome at the time of nero" »
In the book Sand of the Arena, when the Quintus’ group comes for the “North-South” games to Pompeii, there are advertisement notices all over the place. Here is a transcript of notice posters from Pompeii, such as
Twenty pairs of gladiators belonging to Decimus Lucretius Satrius
Valens perpetual flamen of Nero Caesar son of Augustus and ten pairs of
gladiators belonging to the son of Decimus Lucretius Valens will fight
at Pompeii on April 8,9,10, 11 and 12, there will be a beast hunt and
there will be awnings. Aemilius Celer wrote this on his own by
moonlight. (from LVDVS GLADIATORVS)
Continue reading "gladiatorial posters & souvenirs" »
In our current read, Sand of the Arena, the Ethiopian venator Lindani spectacularly saves the lives of the proconsul’s family in the arena at Londinium, after an antelope buck crashes into the audience.
[As it so happens, Mary Beard today reports on a field trip with her Roman Britain class to London and links to a nice page of the London amphitheatre.]
The venatio (hunt) was a popular spectacle during gladiatorial
games, usually as a warm-up to the main event. The trained hunter,
like our Lindani, was called venator, as opposed to the bestiarus, who was mainly animal fodder.
Continue reading "venatio, venator, bestiarius" »
Please join us us on March 21 for a chat with Jim Duffy, author of Sand of the Arena, an action packed novel set in the Neronian era.
Sand of the Arena is a
“prince and the pauper” story that plays out in the arenas of ancient
Rome. A rich Roman, Quintus Romanus, has his identity stolen by a
conniving slave, Lucius Calidius, after a disaster at sea. The epic
adventure that follows sends Quintus across the Roman Empire in search
of a new life and a new family. He finds both in the gladiatorial
schools and arenas of Britannia, Rome, and Pompeii. His rise to primus
palus status “the best of the best among gladiators” is paralleled by
the rise of his archrival, Lucius, in Imperial politics. As both reach
the top of their game, they clash once again in a final battle that
settles all scores. Set against the turbulent and erotic setting of
Nero's Empire, Sand of the Arena is an action-packed tale of graphic arena battles, family devotion, friendship, and vengeance.
Continue reading "author chat with james duffy, “sand of the arena”, march 21" »
M. P. Speidel, in Commodus the God-Emperor and the Army, (on the Tittianus Altar in Dura-Europos), The Journal of Roman Studies Vol. 83 (1993), pp. 109-114, illustrated. (JSTOR, limited access), writes:
In A.D. 192, the last year of his reign, Commodus threw restraint to the winds and had the senate declare him a god. He assumed such titles as Conqueror of the World, Roman Hercules, and All-Surpasser and named the twelve months of the year after himself. Founding Rome anew, he gave it the name Colonia Commodiana and ordered the legions likewise to be called Commodianae. Before the year was out, on 3rd December, he was murdered, his memory cursed.
and later:
While Commodus was declared Caesar on 27 November 176 and reckoned his rule from that day, he became sole ruler only on 17 March 180, when Marcus Aurelius died. He therefore established 17 March as a second anniversary day of his reign to be celebrated. After Commodus' death, 17 March was abolished as a holiday and, unlike his birthday, not revived when Septimius Severus restored Commodus' good name.
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In The Kingdom of the Wicked, Gaius Ofonius Tigellinus is the most vicious enabler of the emperor Nero.
Tigellinus was indeed a historical figure. He became Praetorian Prefect in AD 62, survived the initial civil war after Nero’s death, but was eventually forced to commit suicide in 69 by Otho.
Jona Lendering (livius.org) maintains that “history has been unkind towards Tigellinus, who
was one of the closest and most loyal advisers of the emperor Nero
(54-68) during the second half of his reign” – read more.
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